Pay Later with PayPal
PayPal Pay in 3 - Pay Later with PayPal on my website
Art can be a big investment! I've activated Pay Later on this website so that you can check out securely and purchase artworks by paying in three instalments.
To date I have offered flexibility via Bank transfer, 50/50 invoicing, cash or bank card on collection alongside using the PayPal payment gateway (which takes bank and credit cards), but now by offering Pay Later you can take short term 'finance' at 0% Interest.
Why I'm offering it:
- You get your painting straight away
- I get paid for the work in full upfront
- I get charged the standard PayPal fee
- the checkout process is secure and has a level of buyer and seller protection by PayPal
- it makes art easier to afford and to buy, which means I can ship nationally.
WHAT YOU NEED TO KNOW
- Pay in 3 is less regulated than other credit agreements so please read up on PayPal's website first
- You have to sign up to it
- you can monitor your payments via their app
- Initial payment made at the point of purchase with the following 2 payments made on the same date over the next 2 months from your debit card/bank account.
- 0% APR
- Use it on transactions between £30- £2000
You can find out more here: PAYPAL PAY IN 3
Please note: this feature is new to my website, so if you experience any issues with the website during purchase please let me know! Trudie@trudiemoore.co.uk
One Tree Planted and War Child donations
One Tree Planted - or more per sale!
My website is built on Wordpress and I'm joining in with their "WordPress Gives a Hand" charity movement campaign that's running from 25th-31st December 2023.
For my part, from 25th December 2023 to 31st January 2024 I'll donate a percentage of my online art sales to help One Tree Planted with reforestation.
We are in a climate catastrophe and are suffering a biodiversity apocalypse. The UK is one of the most nature-depleted countries in the world, we have lost over half our wildlife in my lifetime due to human activity and I want nature to be restored not just for the climate, but for all the species that depend on it.
Here's a map that tracks global forest loss to bring it all to life.
The amounts I'll donate are as follows:
- £1 on sales under £15
- 10% over £15 up to £200
- £25 above that
You'll be joining me in this venture as soon as you shop on my site!
NO CHILD SHOULD BE PART OF WAR. EVER.
Warchild collections and donations from Open Studios
In December I was collecting for War Child during Krowji's Open Studios. I ran a small collection and promised to donate 10% of my sales for the weekend over the cost of the Open Studios fee (£35)
Sadly the donations given were less than £2, but I intend to carry this campaign on throughout the year by giving a fee the same as for One Tree Planted above. When you buy from me you can choose which of these two causes I donate to.
- £1 on sales under £15
- 10% over £15 up to £200
- £25 above that
War Child is the only specialist charity for children affected by conflict.
Around the world, children are facing unprecedented levels of conflict. This is especially true in Gaza and Israel, where thousands of children have died in the most recent escalation in violence, fighting and bombing. Terrified, traumatised and unsure of what the future holds, children living in Gaza, Ukraine and other conflict zones around the world are in desperate need of protection.
Find out more:
https://www.warchild.org.uk/
When you buy from me you can choose which of these two causes I donate to, please let me know in the notes field or by email!
New Work // Untitled with Disruption
New Work // Untitled with Disruption
/September 2023
New abstract painting on canvas. Abstract with gloss and acrylic relief in yellow, white and fluorescent marbling
Presenting my latest work, Untitled with Disruption [Abstract with gloss and acrylic relief in yellow, white and fluorescent marbling].
100 x 100cm, artist’s acrylic and water-based household gloss paint on natural canvas.
As with the other recent pieces that I’ve been making, this painting continues the exploration of my ongoing body of work which started around 7 years ago.
In general my work is quite purely about process, materiality and more simple perception of abstract art, focusing on colour, composition and material, but in the last 3 years or so I have felt that my own personal interaction with the works, and the application of myself to them and how I feel when making them is becoming more apparent.
The last few paintings have been articulating expansion, clarity and calm, this particular piece explores some feelings of deliberate disruption. The blatant contrasts of surfaces, strong use of asymmetry and angled lines create energy and momentum are specifically pushing towards a strong feeling of positive disruptiveness in this particular painting.
This coincidentally mirrors aspects of my life, especially in this last year. It has been one of continued upheaval, adaptation and positive reinvention of myself. The personal aspect is a new strand of influence upon my work, although the core aspects of painting process and abstraction are still the foundations of it.
As with all creative processes, the painting contains elements of experimentation, risk-taking, conversation with the piece itself, and this results in changes and developments which bring it to a new space.
The process that led to the completion of this piece took itself through an experimental and therefore disruptive stage before turning some large directions to bring it to completion. If you were to peel back the layers and see what’s hidden under the surface you’d find a stage of the painting that happened which was entirely different, but which I felt the need to hide in favour of a final aesthetic. The experimentation has pushed me towards a yet-newer colour palette than the last sequences of paintings. This palette feels as though it’s shaking things up, which is something that I was looking for as I felt that my colours were becoming limited.
The colours that I have been using for the last 5+ years have become a strong part of the work I create. Observing those who look at my work I’m energised and filled with the positivity of those who are brought into my environment. I feel that the work has the potential to uplift its viewers and to make them feel a sense of positivity and happiness, partially through colour theory and immersion within environments.
The background of this work:
In this wider body of work, there is an amplification of the experience of colours, layers and planes of the painting surface into three-dimensionality, enhancing the vibrance, brilliance and clarity of colour.
The natural duck cotton gives an organic contrast with the syntheticity of the acrylic paint and it complements and enhances the tones, transparencies and opacities of the applied planes of colour.
The geometric forms and layers nod towards a three-dimensionality and future plans to widen my practice into ‘other’ dimensions.
Sign up to my emails using the form below if you’d like to watch my experimental progress this year.
Alternatively, you can help to support my fine art practice by visiting my shop
This work may be available to purchase – please get in touch
I retain an exhibiting body of work of my practice, to be able to share my work with more people. While not all of my works are for sale, I have made these new works available to buy through my website, and I accept commissions for work in this practice.
More about my current works in this decade
My close focus to the material of the paint and the canvas as being ‘as one’ continues to be a theme within these works, but adds in the additional aspects of light and the viewer, lifting the viewer bith physically and emotionally as they feel the ebergy of the work.
Through the exploration of the properties and abilities of paints to their most clear and luminescent ability, by using fluorescents, pastels and clean, pure colours, I aim to feel uplifted by the paintings and to share that energising impact of colour with the viewer. The paintings seem to glow and emit light bringing the colour to its highest light emission, in parts casting light out and off the canvas, bringing the focus on colour both into the painting plane itself yet also to its’ surroundings, and also showing the ability of paint with material (particularly in relation to pieces made from acrylic) to itself create light.
The ‘canvas’ both interacts with the paint as a layer itself, and provides the physical layer on which the paint can sit and perform to a great degree. By seeing surface textures through sheer veils of paint or heavy elevations in the paint application, we are reminded of the process of painting and the physicality.
By bringing the paint layers out from the ‘canvas’ we are able to experience two dimensions in a three dimensional way, in opposition to enclosing the three dimensions into a two dimensional illusion. We feel and we experience the energy that has been given by the artist to the piece through the process of painting which brings the painting into reality and this is reflected back at us.
Sign up to emails to stay informed
Sign up to emails to be informed about new works and events
Abstract in yellow with whites, red and gloss relief
Abstract in yellow with whites, red and gloss relief
/July 2023
New abstract painting on canvas.
I’m excited to present my latest work, Untitled [Abstract in yellow with whites, red and gloss relief].
100 x 100cm, artist’s acrylic and water-based household gloss paint on natural canvas.
This painting continues the exploration of my ongoing body of work which started around 7 years ago.
Within this painting I am continuing to evolve the planes and space while in the background, thinking forwards to a body of sculptural and installation works that I have skills funding for from Cultivator Cornwall and the Arts Council.
The background of this work:
In this wider body of work, there is an amplification of the experience of colours, layers and planes of the painting surface into three-dimensionality, enhancing the vibrance, brilliance and clarity of colour.
The natural duck cotton gives an organic contrast with the syntheticity of the acrylic paint and it complements and enhances the tones, transparencies and opacities of the applied planes of colour.
The geometric forms and layers nod towards a three-dimensionality and future plans to widen my practice into ‘other’ dimensions.
Sign up to my emails using the form below if you’d like to watch my experimental progress this year.
Alternatively, you can help to support my fine art practice by visiting my shop
Available to purchase online, or in-person from me by booking a private studio view
I retain an exhibiting body of work of my practice, to be able to share my work with more people. While not all of my works are for sale, I have made these new works available to buy through my website, and I accept commissions for work in this practice.
More about my current works in this decade
My close focus to the material of the paint and the canvas as being ‘as one’ continues to be a theme within these works, but adds in the additional aspects of light and the viewer, lifting the viewer bith physically and emotionally as they feel the ebergy of the work.
Through the exploration of the properties and abilities of paints to their most clear and luminescent ability, by using fluorescents, pastels and clean, pure colours, I aim to feel uplifted by the paintings and to share that energising impact of colour with the viewer. The paintings seem to glow and emit light bringing the colour to its highest light emission, in parts casting light out and off the canvas, bringing the focus on colour both into the painting plane itself yet also to its’ surroundings, and also showing the ability of paint with material (particularly in relation to pieces made from acrylic) to itself create light.
The ‘canvas’ both interacts with the paint as a layer itself, and provides the physical layer on which the paint can sit and perform to a great degree. By seeing surface textures through sheer veils of paint or heavy elevations in the paint application, we are reminded of the process of painting and the physicality.
By bringing the paint layers out from the ‘canvas’ we are able to experience two dimensions in a three dimensional way, in opposition to enclosing the three dimensions into a two dimensional illusion. We feel and we experience the energy that has been given by the artist to the piece through the process of painting which brings the painting into reality and this is reflected back at us.
Sign up to emails to stay informed
Sign up to emails to be informed about new works and events
New additions to the shop April 2023
New to the shop
/April 2023
Take a look at the large scale paintings for sale which are available to be purchased.
Available to purchase online, or in-person from me by booking a private studio view
These large scale paintings are in artist’s acrylic with water-based gloss paint, or water-based gloss paint, which gives texture and visibility to the medium of the paint upon the surface.
Take a look at them here in more detail, or drop me a line for a studio visit, zoom call or videos of the works.
Transportation either in person by hand, or via courier in the UK. If you are overseas and have your own shipping company then this is possible too, however, shipping from the UK is very expensive at present. Please get in touch to discuss further
I retain an exhibiting body of work of my practice, to be able to share my work with more people. While not all of my works are for sale, I have made these new works available to buy through my website, and I accept commissions for work in this practice.
More about my current works in this decade
My close focus to the material of the paint and the canvas as being ‘as one’ continues to be a theme within these works, but adds in the additional aspects of light and the viewer, lifting the viewer bith physically and emotionally as they feel the ebergy of the work.
Through the exploration of the properties and abilities of paints to their most clear and luminescent ability, by using fluorescents, pastels and clean, pure colours, I aim to feel uplifted by the paintings and to share that energising impact of colour with the viewer. The paintings seem to glow and emit light bringing the colour to its highest light emission, in parts casting light out and off the canvas, bringing the focus on colour both into the painting plane itself yet also to its’ surroundings, and also showing the ability of paint with material (particularly in relation to pieces made from acrylic) to itself create light.
The ‘canvas’ both interacts with the paint as a layer itself, and provides the physical layer on which the paint can sit and perform to a great degree. By seeing surface textures through sheer veils of paint or heavy elevations in the paint application, we are reminded of the process of painting and the physicality.
By bringing the paint layers out from the ‘canvas’ we are able to experience two dimensions in a three dimensional way, in opposition to enclosing the three dimensions into a two dimensional illusion. We feel and we experience the energy that has been given by the artist to the piece through the process of painting which brings the painting into reality and this is reflected back at us.
Sign up to emails to stay informed
Sign up to emails to be informed about new works and events
Virtual gallery experience
Make a visit to my gallery from the comfort of wherever you are!
With many thanks to the Immersive Business team of Falmouth University and the University of Exeter, I'm delighted to unveil my virtual art gallery.
The Immersive Business team has helped me to build a 3D experience of my work in VR (virtual reality), the web and mobile. The gallery was built as a result of the team walking me through various digital technologies that can be used to create, plan and simulate artworks, find ways to more comprehensively present them to galleries and customers, and to render sample exhibitions and projects.
The work I make is difficult to photograph and represent due to its scale, and my customer base is widely distributed, so we looked to find ways that I can give people a remote experience of my work in place of being able to visit an exhibition or make a studio visit.
We have been exploring 360 photography, Photogrammetry and Virtual Reality. These tools can support the entire creative process from the inception and planning stages, through to creating the art itself and presenting the end result.
By weaving these different technologies into my workflow I am able to save money, materials and time in the planning and experimentation stages (R&D) making the work more sustainable and affordable, and I can investigate a range of outputs before committing to the materials to make physical works.
My work investigates various three-dimensional and sculptural forms that you can be immersed in, when I make an exhibition or a work, much of the experience of that work is in the viewer being surrounded and physically up close to paintings and pieces that radiate a physically uplifting sensation that can be felt by the whole body and self. It therefore means that if you put on a virtual headset and step into a virtual world, the experience surrounds your senses. By having a virtual way in which to be in front of an artwork, there's a good replication of the experience of that piece when the in person experience isn't readily available. It's also possible to envisage exhibitions and curate different ones within the platform and even to take historic gallery exhibitions into the platform and archive them so that they can be experienced again and again.
Presenting Trudie Moore's Immersive gallery experience here.
This work is funded by the European Regional Development Fund and supported by Falmouth University in partnership with the University of Exeter
New Works December 2021 - January 2022
New Works
/December 2021 – January 2022
New abstract paintings on canvas for sale.
I’m excited to present 5 new works from December 2021 – Early January 2022.
These paintings are warm and dynamic, experimenting strongly with contrasts between colour and surface, bringing to the attention the materiality of the paint.
In this wider body of work, there is an amplification of the experience of colours, layers and planes of the painting surface into three-dimensionality, enhancing the vibrance, brilliance and clarity of colour.
The natural duck cotton gives an organic contrast with the syntheticity of the acrylic paint and it complements and enhances the tones, transparencies and opacities of the applied planes of colour.
The geometric forms and layers nod towards a three-dimensionality and future plans to widen my practice into ‘other’ dimensions.
Sign up to my emails using the form below if you’d like to watch my experimental progress this year.
Alternatively, you can help to support my fine art practice by visiting my shop
Available to purchase online, or in-person from me by booking a private studio view
I retain an exhibiting body of work of my practice, to be able to share my work with more people. While not all of my works are for sale, I have made these new works available to buy through my website, and I accept commissions for work in this practice.
More about my current works in this decade
My close focus to the material of the paint and the canvas as being ‘as one’ continues to be a theme within these works, but adds in the additional aspects of light and the viewer, lifting the viewer bith physically and emotionally as they feel the ebergy of the work.
Through the exploration of the properties and abilities of paints to their most clear and luminescent ability, by using fluorescents, pastels and clean, pure colours, I aim to feel uplifted by the paintings and to share that energising impact of colour with the viewer. The paintings seem to glow and emit light bringing the colour to its highest light emission, in parts casting light out and off the canvas, bringing the focus on colour both into the painting plane itself yet also to its’ surroundings, and also showing the ability of paint with material (particularly in relation to pieces made from acrylic) to itself create light.
The ‘canvas’ both interacts with the paint as a layer itself, and provides the physical layer on which the paint can sit and perform to a great degree. By seeing surface textures through sheer veils of paint or heavy elevations in the paint application, we are reminded of the process of painting and the physicality.
By bringing the paint layers out from the ‘canvas’ we are able to experience two dimensions in a three dimensional way, in opposition to enclosing the three dimensions into a two dimensional illusion. We feel and we experience the energy that has been given by the artist to the piece through the process of painting which brings the painting into reality and this is reflected back at us.
Sign up to emails to stay informed
Sign up to emails to be informed about new works and events
Last order dates for Christmas post and Giclée Prints
9th December is the cut off date for ordering my art prints before Christmas.
I have limited stock available in A1 and A3 sizes for immediate dispatch, but my high-quality giclee prints of a few of my large scale paintings are available to order in a range of A sizes.
These prints have been professionally printed for me using 11-colour Ultrachrome HDR inks on OLMEC bright white smooth paper to achieve the greatest reproduction.
They are available in A1 & A3 and there are 3 different prints available (and other sizes to order on request).
Prints are available either from my website shop for delivery, or for collection from my studio at Krowji.
Last order dates for Christmas delivery for any of my other items (baubles, canvases, ply panels) are as per Royal Mail’s Christmas posting dates for 2021:
Saturday 18 December | 2nd Class 2nd Class Signed For Royal Mail 48® |
Tuesday 21 December | 1st Class 1st Class Signed For Royal Mail 24® Royal Mail Tracked 48®** |
Wednesday 22 December | Royal Mail Tracked 24®** |
Thursday 23 December | Special Delivery Guaranteed® |
If you require International delivery, please get in touch with me to quote for costs and lead times as these will probably fall under private shippers terms and dates, customs regulations and customs clearance and documentation, which for the UK at present has delays to certain countries.
Book a studio visit.
Prints and paintings are all available to view at a private studio visit. Please email me or get in touch here.
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New Works / additions to the shop November 2021
New Works
/November 2021
I’ve just released some brand new paintings for sale which are available to be purchased online.
Available to purchase online, or in-person from me by booking a private studio view
My 2021 latest paintings continue the work last released in 2020. By continuing the practice where I left off I’m pursuing a strand of work and exploration that has come from my body of work which is about an amplification of the experience of colours, layers and planes of the painting surface into three-dimensionality, enhancing the vibrance, brilliance and clarity of colour.
While the previous works explore a range of ‘canvas’ materials such as perspex, these current works are painted onto natural duck cotton which not only shows this beautiful natural flecked canvas in contrast to the fluorescents, but also complements the tone and enhances the tones and visual effect of the planes of colour.
By working to a smaller scale, I am able to experiment more wildly with energetic compositions and dynamics within the work and it enables me to take risks.
I retain an exhibiting body of work of my practice, to be able to share my work with more people. While not all of my works are for sale, I have made these new works available to buy through my website, and I accept commissions for work in this practice.
More about my current works in this decade
My close focus to the material of the paint and the canvas as being ‘as one’ continues to be a theme within these works, but adds in the additional aspects of light and the viewer, lifting the viewer bith physically and emotionally as they feel the ebergy of the work.
Through the exploration of the properties and abilities of paints to their most clear and luminescent ability, by using fluorescents, pastels and clean, pure colours, I aim to feel uplifted by the paintings and to share that energising impact of colour with the viewer. The paintings seem to glow and emit light bringing the colour to its highest light emission, in parts casting light out and off the canvas, bringing the focus on colour both into the painting plane itself yet also to its’ surroundings, and also showing the ability of paint with material (particularly in relation to pieces made from acrylic) to itself create light.
The ‘canvas’ both interacts with the paint as a layer itself, and provides the physical layer on which the paint can sit and perform to a great degree. By seeing surface textures through sheer veils of paint or heavy elevations in the paint application, we are reminded of the process of painting and the physicality.
By bringing the paint layers out from the ‘canvas’ we are able to experience two dimensions in a three dimensional way, in opposition to enclosing the three dimensions into a two dimensional illusion. We feel and we experience the energy that has been given by the artist to the piece through the process of painting which brings the painting into reality and this is reflected back at us.
Sign up to emails to stay informed
Sign up to emails to be informed about new works and events
Private Art Studio Visits
Welcome back to private studio visits!
I’m so excited to be able to welcome you back to private studio visits! After the devastating fire at Krowji and huge periods with restrictions on opening up workspaces, and with Open Studios cancelled for the second time, I am keen to share my work with you.
An art studio visit is the perfect way to view art and get to know the artist, their work and processes and the ideal environment in which to view and buy art. Dealing directly with the artist you can see uncurated back catalogues, pieces that haven’t been published and really get a feel for a piece and experience it.
Getting the full creating experience.
My studio contains work in progress, reference pieces, finished works that are set aside for exhibiting or professional development, plus works that I am ready to release. In my environment I enjoy telling people about processes and demonstrating how my work comes into being.
What to expect when you visit my studio.
In my own creating space it’s a relaxed environment. At present we have to adhere to social distancing, wearing masks and hand sanitising, but through Open Studios and my recent exhibition this has become easier to manage. If you’d like to learn more there is a section in this article about Covid protocol at Krowji. I’ll make you a coffee, we’ll chat about my work and if you’re interested, there will be some work available that you can buy including my ply panels, gloss paintings, larger oil and acrylic paintings, giclee art prints and Christmas baubles. What’s for certain is that you might see something that isn’t on my website or the online shop
And if I want to buy something?
I’ll pack it and you can take it with you, or if it’s bigger we can organise delivery. We can discuss commissions too. I have card payment facilities, invoicing/ bank transfer, PayPal and other payment options.
So book a studio visit and see what might inspire you!
Book a studio visit by sending me a message below.